The Goodman Initiative - Half-day program

Our Camp's Israel Garden: A Guide to Creating and Programming

JAR — Mon, 10 Nov 2014 18:52:20 +0000

Learn the skills of gardening and the history of Israeli innovation as we create an Israel garden in camp -- full of Israeli fruits, veggies, and herbs that we will harvest and eat together!

Curriculum Themes:

Materials Required:

Program Duration:

Physical Space:

Outdoor Space

Number of Campers:

Age of Campers:

Core Learnings:

How to garden

History of drip irrigation in Israel

What kinds of food grows in Israel

Explanation:

At the beginning of the summer, choose a plot of land to place your garden. The land should have direct sunlight for at least 6 hours each day, and it should be near a water source.

Once you've selected the land, campers can help create the garden. They will need to hoe the dirt, plant guard rails of wood around the garden (laying them down in troughs dug in the ground is an easy way to do this). The point of planting guard rails is to keep the garden dirt firm and in the garden, allowing the garden to be 'boxed in'.

You then need to dig troughs as lines for planting seeds. Determine which items will need to grow where, and how many seeds you want for each item you're planting.

Once planted and watered, there are many interesting ways to integrate Israel into the experience:

Learning about Israeli innovation.
- Start with drip irrigation, one of Israel's claims to fame. You can set up your own drip irrigation system (a long hose with holes in it) or have your campers brainstorm the problem that led to its creation.
- Once you're on the topic of Israeli innovation, learn more about creations that Israel is (and isn't) well known for. Like the cherry tomato strain Israel invented that ripens slowly and stays on the vine, allowing for it to be sold on cluster like grapes, and making shipping easier. (Other examples can be found here: http://www.israel21c.org/technology/israels-top-45-greatest-inventions-o...).
- Have campers look at areas that need innovation in their garden or around camp. How can they use the examples of Israeli innovation to fix their problems? For instance, if the garden is too small for many people to work in it at once, what could they do to maximize the efforts of the whole group? Or if the garden isn't ready to be tended and a group is coming, what could they do with the other campers to help them feel connected to the Israeli garden?
The garden is a great opportunity for campers to learn Hebrew vocabulary. Create Hebrew and English (and transliterated) signage for every kind of plant in the garden. You can even create a poster for a wall near the garden letting everyone see a 'map' of the garden and what is growing where (in Hebrew and English). Also, you can post an enlarged version of the Resource Cards related to Israeli agriculture (Kibbutz, Drip Irrigation) and while you're planting the garden, you can orient the campers to the important role of agriculture in Israel's history.
Talk about argiculture and the landscape of Israel. Part of Ben Gurion's dream was to see the desert bloom. Why did he care about using the desert? Why did Israel spend so much effort in making agriculture work even in the desert? (Hint: The Negev Desert is 60% of the land in Israel).
You can also bring in a lesson about the kibbutz here, discussing with campers the history of the kibbutz movements and its role in agriculture.
You can also learn about the remarkable work of desalination in Israel. Given that much of the water around the desert has high saline content (the Mediterranean Sea), Israel found ways to use the salted water for irrigation of certain crops.

The garden can become the foundation for a wide array of programming (some examples below):

a cabin activity to prune/plant/harvest
a full age group activity to create the garden
an activity to create signage
a cooking class using the harvested foods/herbs
an Israeli meal where campers describe each item using the Hebrew name

Background Cards:

Supporting Images:

Attribution:

Camp Avoda

My Facebook Kotel

JAR — Tue, 04 Nov 2014 17:09:13 +0000

Social Media provides a platform for personal expression and building community, and Israel can be a key component in both of these endeavors. This program offers fun ways to integrate Israel into campers' social media reality.

Curriculum Themes:

A Land & Its People

Materials Required:

Program Duration:

Physical Space:

Number of Campers:

Age of Campers:

Core Learnings:

How to express your opinions appropriately about current events in Israel

Slang and lingo used by Israelis on social media

Israel's history of pioneering advances in technology has played a central role in the global explosion of social media

Explanation:

Our campers are natives to social media technology and it is an integral part of their lives at home. Israel, on the other hand, may seem foreign to them -- certainly as a content piece related to social media. This program aims to bridge that gap and help campers understand the power of social media in helping them keep informed, share their views, and engage in lively respectful discussion about difficult topics.

Opening Game: give each camper a piece of paper and ask them to write a list of words that describe what other people think of them when looking at their Facebook walls. Next, ask them to pick the one word from the list that makes them most uncomfortable, and write it on a label/sticker/nametag that they will affix to their forehead. Now, use a "cocktail party"-style activity in which the group must circulate and interact. Instruct campers to walk the way the word on their label would walk and interact based on the way the word on their label dictates. In essence, campers are asked to become their label for the duration of the exercise.

Debrief: Facilitate a conversation about this opening exercise seeking to encourage campers to begin to think about how their Facbook wall -- much like the labels they were wearing at the cocktail party -- define them and shape how people interact with them. Ask questions such as:

What was your experience?
In what ways does your Facebook wall define you?

After campers have reflected on the experience they just completed, introduce Israel into the conversation: tell the group that they are gong to create a Facebook wall for Israel. Unlike the notes they may have placed in the Western Wall, if they have visited Israel, the messages on this wall are going to be public, just like so many social media posts.

Formulate a list with the group: what are situations that might prompt you to post about Israel? Possible aswers might include:

I saw an Israeli movie
I visited Israel, or want to visit Israel
I heard about an Israeli invention
Something about Israel was on the news
It's an Israeli holiday, or the anniversary of something important in Israeli history

Create an actual Facebook wall for Israel using markers and butcher paper.

Give everyone a chance to think about their own relatinoship to Israel. Encourage them to come up with five ideas of things they might post -- and then to pursue the idea they think is least likely to be repeated by others. Campers can write their posts directly on the Facebook wall, or they can write on slips of paper and then tape them to the wall. As people post their own contributions to the wall, they should be encouraged to comment on other people's messages. You can create small "like" stickers and let campers affix them to any posts or comments that they particularly like.

Variations:

After the conclusion of the activity, hang the paper wall in a public place at camp -- perhaps in the dining hall -- and encourage everyone to add comments and "likes" of their own, This wall can become a physical replica of the virtual world in which campers so frequently express themselves during the year; at camp, it takes on a physical presence, and it focuses primarily on Israel and the camp community's relationship to Israel.

Background Cards:

Supporting Images:

Curricular Subjects:

Attribution:

BB Camp

Israel in 3D

Joy Langer — Mon, 03 Dec 2012 05:59:51 +0000

Create magnificent 3D art that moves and will move you to understand more about our homeland! Looking at the Israeli artist Agam as a point of inspiration, we will create multiple artistic “views” of Israel and share our various interpretations.

Curriculum Themes:

Materials Required:

see attached materials list

Program Duration:

Half-day program

Physical Space:

Number of Campers:

A Bunk/Cabin/Chug (10-20 campers)

Age of Campers:

Core Learnings:

To learn about the Israeli artist Yaakov Agam

To learn about the geographic landscape of Israel

To learn new art skills and use them to express ideas about Israel and its diverse landscape

To connect to places, modern life, and the history of Israel using visual art as a tool

Explanation:

1. This project should be done after the geography of Israel has already been explored. Participants will choose a “view” of Israel that is important to them and pair up with someone who has an opposite or very different “view.” See ideas in introduction section. Participants can also work independently on 2 views they find interesting. (Time: 10 – 15 minutes)

2. Once everyone has picked two places in Israel, draw. Participants will create images in one of three ways described below. They may use oil pastels, markers, or any medium available. Drawings should be big and bold, filling the whole page. This will make the Agam technique work best. (Note* Be sure to make the drawing vertically on the 8.5” x 11” paper.) (Time: 1 hour)

Drawing or painting can be approached one of three ways:
• On the first piece of cardstock, participants will create one image on the place they choose to draw. On the second piece of cardstock, they will draw a very different geographical location in Israel.

• If people opt to work in pairs, they should each create one drawing on one piece of cardstock. The goal is to show two very different images -- two very different geographic locations. The artistic goal is to use different color schemes and techniques to push the concept further.

•If time allows they can create a third drawing together that displays a third place in Israel they connect with. This will deepen the collaboration.

*Drawing/Painting tips:

Drawings of the places they choose can be solely landscapes, they can be genre paintings of daily modern life in these places (ex: people played “kadima” on the Beach in Tel Aviv, people davening at the Kotel in Jerusalem, farmers harvesting in the Golan Heights). Use a new color scheme or contrasting colors to enhance the Agam technique. Draw subjects so they are large and bold. (Note* Be sure to make the drawing vertically on the 8.5” x 11” paper.) Outlining the focal point of each art work and keeping things free of details will allow a successful visual outcome. Going along with the Agam techniques abstract interpretations of these scenes should be invited. What colors portray the mood of this place? What types of lines or shapes depict the feeling you may have if you were there? What can you use in your art to express the weather of this place?

3. Assembling the Art Time (30 min – 1 hour)
• Make 16 equal accordion folds on one piece of 11” x 17” cardstock (for three image drawings attach another piece of cardstock to make 24 accordion folds)

• Label each section 1, A, 2, B, 3, C, 4, D, 5, E, 6, F, 7, G, 8, H

SEE GRAPHIC IMAGE FOR DIAGRAM

• On the back of each drawing (on 8.5” x 11” cardstock) make 8 equally spaced lines with a ruler. Label one page A- H and the other 1-8 ( be sure both pages are facing in the same direction before labeling A B C D E F G H

• Cut out strips 1 – 8 and A-H

SEE GRAPHIC IMAGE FOR DIAGRAM

• Glue each strip to the respective section with a glue stick, on the accordion folded 11”x17” cardstock paper.

• Lay the strips out to be sure you glue everything in the correct direction and order (Younger campers will need assistance).

• Mount final art work with glue gun on foam core or cardstock leaving room underneath for writing.

6. Underneath mounted work write about the place you explored and a few words on the two ideas you are presenting.

7. Display art work and share with the community.

Variations:

The content of participants art work can relate to a topic on Israel of the facilitator's choice.
Here are a few ideas that can be applied:
1. How Israel changed over time. Ex: Desert transformed to irrigated land and farms
2. A historic Israeli event and how it unfolds from beginning middle and end. Ex: the Yom Kippur War
3. What are the various geographical places in Israel? Ex: Jerusalem hills and the Negev
4. What are some different and maybe opposing political and religious points of view that occur among Israeli’s? Ex: Right vs Left

5. What makes Israel Jewish? What are Jewish values important to Israeli society? Cultural vs. Religious? Ex: Hebrew language and observing of Yom Kippur

If there is ample time, this can be modified to make three points of view by adding a third drawing. It can be used to teach conflict resolution. One art piece can be created by two people in disagreement. The solution they come up with would be the third image. It can also portray the disagreement between biblical characters such as Cain and Abel and related back to the roles that are played out in camp. Collaborating on one art work will build relationships and encourage teamwork.

The art work can get bigger or smaller and can be simplified for younger groups and made into very intricate work with a more artistically skilled group.

This can also be used purely to study the Israeli artist Yaacov Agam. Discussions on the elements of art including composition, color theory, and form can give campers a chance to making Israeli inspired art for art sake.

Various materials and techniques could be used including markers, paint, collage, and drawing. This could be a long term project that is worked on over many sessions.

Supporting Materials:

Graphic for Agam project.doc

The Yaakov Agam Workshop MATERIALS.docx

Attribution:

Joy Langer

The Piven Workshop: What Makes a Great Leader?

Carl Schrag — Mon, 12 Mar 2012 22:30:20 +0000

Using the art and methods of Israeli popular artist Hanoch Piven, these activities encourage campers to explore Israel's history, their own surroundings and identity, and individuals' connections to Israel. This activity consists of several modules which can be used on a mix-and-match basis. Elements can be used as quick conversation-starters or in-between activities; alternately, several components can fill an hour, half a day, or a week of activity blocks.

Curriculum Themes:

Materials Required:

Arts & Crafts Material

Program Duration:

Physical Space:

Arts Center

Number of Campers:

A Bunk/Cabin/Chug (10-20 campers)

Age of Campers:

Core Learnings:

Hanoch Piven is a real Israeli artist who is at the height of his career. His work runs the gamut from historically significant portraits to packages of hummus, basketball stars, and pop stars

David Ben-Gurion, the first Prime Minister of Israel and proclaimer of Israel's Declaration of Independence, retired in his home in the desert (at Sde Boker) and advocated to see the desert "bloom"

Yitzhak Rabin was Israel's 5th Prime Minister and served again from 1992-1995 when he was assassinated for his role in creating the Oslo Accords, an attempt for peace between Israelis and Palestinians

Explanation:

Stage 1: Introduce Hanoch Piven (the Artist)

Introduce campers to the work of Hanoch Piven by showing them a selection of his portraits. Moses, Ben-Gurion, and Rabin are great to use.
Background:
- Originally from South America and made Aliyah with his family as a child.
- When, as a young man, he went to New York to study and pursue his career as an artist, he developed a new and creative style of portraiture - using a vast array of objects to put together images that looked like a person but also told a story on their own.

Stage 2: Understanding Piven's Technique

The best way to teach them Piven's technique and simultaneously expose them to some cool stories about Israel is by using three portraits: Moses, Ben-Gurion, and Rabin.

1. Moses

This picture allows campers to interact with the technique using a story that they are probably familiar with (Moses and the Exodus)
Hold up the Moses portrait and ask the campers to identify materials or objects (including matzah). Then ask: what might these materials symbolize?
- They will likely find matza, gefilte fish, sand/ desert, handcuffs, chicken leg/shank bone, matzah balls, etc.
- Help them notice that each object is one that is central to Moses' story.

2. David Ben-Gurion

This picture will be a bit harder for campers because they will likely not recognize Ben-Gurion, but that's OK!
In this case, tell campers that this is a portrait of David Ben-Gurion, Israel's first prime minister. Ask them if they know anything about him and allow them to list out anything they do. If they don't, that's OK!
Ask them to name anything they can recognize in the picture. As they name things, ask them first if they know why it's in the portrait, and if they don't, you can fill in the information about Ben-Gurion (listed below). Each time you give an explanation, you can also ask what they think -- they may have ideas of their own:
- Face made of sand, twigs as hair/eye brows -- Ben-Gurion was a big believer in the Negev desert, and the importance of making the desert bloom to the survival of Israel. After he stopped being the Prime Minister, he retired to Sde Boker in the Negev. The major Israeli university in the South is Ben-Gurion University of the Negev in Be'er Sheva.
- Newspaper -- He is holding a copy of Ha'aretz (literally "the land" and also the name of a major Israeli paper) announcing the creation of the state. This portrait is showing a moment in his career, the moment after he declares the Jewish state on May 14, 1948.
- Photograph of people dancing -- this is an actual photograph of the people who danced and celebrated after the announcement of the Jewish state.
- Nose made of boxing glove -- he was always considered a fighter
- Bathroom -- this is a question you can throw back at them. We often think that the reason Piven put him in the bathroom is because this shows that Ben-Gurion was always so busy that the only time he could take to read the paper was in the bathroom!

3. Yitzhak Rabin

This is an example of a picture that relies on a single story, a single moment. While your campers can try to guess who is in the picture and what it represents, chances are they won't know, so they'll need you to tell the story.
Start by telling them a few important things about Rabin.
Explain that Piven created this picture just after Rabin's assassination. If necessary, fill in information about his assassination -- including the presence of candles all over Rabin's square immediately after the event:
- Rabin was elected as Prime Minister for a 2nd term in 1992. During his second term in office, Rabin focused on creating peace between the Palestinians and Israelis. He played a leading role in the signing of the Oslo Accords, which granted the Palestinian National Authority partial control over parts of the Gaza Strip and West Bank.
- For his role in the creation of the Oslo Accords, Rabin was awarded the 1994 Nobel Peace Prize. The accords, however, greatly divided Israeli society with some seeing Rabin as a hero for advancing the cause of peace and some seeing him as giving away land they viewed as belonging to Israel.
- On the evening of November 4, 1995, Rabin was assassinated by a radical Jewish man who opposed the signing of the Oslo Accords. Rabin had been attending a mass peace rally in what is now known as Rabin Square, located in the middle of Tel Aviv. When the rally ended, Rabin walked down the city hall steps toward his car, at which point he was assassinated. Rabin’s assassination came as a great shock to the Israeli public and much of the rest of the world. Hundreds of thousands of Israelis came to the square where Rabin was assassinated to mourn his death by lighting memorial candles and singing peace songs.
Ask the campers: Can you figure out why Piven created the portrait in this way? What do you think his head is made of? (Candle wax). This is an example of a portrait that tells the story of one moment in someone's life -- in this case his death.

Stage 3: Creating Portraits

Finding meaningful objects:
- Place a wide array of random objects on a table in front of your campers.
- Ask the campers to take five minutes and to select one item that symbolizes something they like a lot, and one item that symbolizes something they dislike.
- Once everyone has made a selection, invite everyone to share what they chose and their reasoning.
- Navigate this conversation carefully, with an eye toward making everyone feel comfortable sharing and eager to express themselves through these and other objects.

Next, tell the campers that it's time for them to create their own self-portrait.
- Distribute pieces of poster board (about 20" x 24") to each of the campers and invite them to visit the table filled with random objects again.
- Depending on how much you want to guide the outcome of the activity, you can pepper the group with questions and ideas as they work, encouraging them to focus on aspects of their lives and personalities -- or you can let them work as they see fit, emphasizing whatever parts of their lives they choose.
- Art staff should be on hand to help with glue guns, but should be briefed so they encourage campers to express themselves freely and honestly.
- Allow about 30 minutes for campers to create their own portraits, and another 15 minutes for everyone to share their work with the group.

Stage 4: Wrap Up

This activity can be structured in many ways. When you're done with all that you plan to do, encourage campers to discuss the experience.
- What did you learn about yourself?
- What did you learn about your friends and other people at camp?
- How would you describe Hanoch Piven's style if you were talking on the phone to someone who could not see the portraits? What would you say you like or dislike about the style?
- What's the funniest object you saw in your or someone else's portrait?
The takeaways from these activities should include the tangible pride that comes from seeing one's work on display. Portraits and pictures should be featured prominently in a place of pride for the entire camp community to see, and included on the website and parent communication.

Variations:

The possibilities are endless. Several variations are included below. Feel free to try other things, using as many of Piven's works as you'd like. Just be sure to share your successes with us so other camps can benefit from your creativity!

The Israelis We Know

Instead of having campers create portraits of themselves, have them create portraits of their schlichim as a way of getting them to learn more about the Israeli staff.
Ask the group how they would create a portrait of a specific Israeli who they know, but they don't know all that well. Look for suggestions about ways to get to know the person better.
Now, announce the next part of this activity: working in small groups, you will create portraits of the Israeli staff at camp. In order to do this, you will need to interview each Israeli before they set about doing the job.
- Divide campers into small groups and assign each group to one Israeli staff member who they will be interviewing before the next meeting. Work with them to write down some questions that will help them get a better understanding of the person they are going to portray.
- Encourage them to come up with a list of of questions for the schlichim that will help them get to know them well enough to create a portrait.
- Questions might include (use these as a guide, not as a specific list to distribute to campers!):
  - Do you have a favorite sport, food, singer, movie?
  - What did you like best in high school?
  - What did you do in the army? Tell us a story from your army service.
  - What's the craziest thing you ever did with your friends in high school? What would you do if we did the same thing at camp right now?
  - What do you like about camp?
  - What do you like about Israel?
  - What do you miss most from Israel right now?
  - Encourage each group to think up really creative, crazy questions, but remind them be respectful and not to push too hard in the interviews.
- Then send them off to interview the Israeli they're going to portray. Encourage them to bring supplies to the next session, based on what they learn in the interview (maybe a candy wrapper, a button, or anything else they think is appropriate).
- At the next session, each group gets a piece of poster board and access to the table filled with random objects, in addition to the objects the campers brought specifically for this project.
- Allow 30-45 minutes to create the portraits, and this time let the art staff help a bit more so the finishing touches look good.
- Once everyone is done, campers share their work with the Israelis and with each other. You may decide to give the portraits to the Israelis as a gift, or to hang them in a central location in camp. (If you create a display, your camp might decide to give the portraits to the Israelis as going-away gifts at the end of the summer).

Our Israel

This activity also is designed to focus campers' creativity on Israel, but it addresses the group's notions of Israel, rather than the life of one specific Israeli.
Divide campers into groups of 3-5 members and ask them to create a portrait titled "Our Israel."
Don't give too many detailed instructions, so as not to limit creativity, but in response to questions you can say:
- This art work need not portray a person
- There is room for different ideas and perspectives in the artwork
- Base it on your ideas, your knowledge, your dreams, and your jokes
Allow the groups 20 minutes to create "Our Israel" and then 10 minutes to share them with everyone.
Display the creations for all the camp community to see.