The Goodman Initiative - Camera (optional)

Israel Lens: The Many Faces of Israel

Natalie Blitt — Tue, 24 Apr 2012 15:48:10 +0000

The Israel Lens is a unique method of looking at photographs as entry points into understanding Israeli history and culture. This session primarily uses photographs of people of Israel who came from various countries and periods in history and is an excellent program for a photography specialty.

Curriculum Themes:

Materials Required:

Program Duration:

1 hour

Physical Space:

Indoor Space

Number of Campers:

Age of Campers:

Core Learnings:

Immigration to Israel has taken place in many waves over time with several different groups of people including: a) Illegal immigration to Palestine before the creation of the Jewish State b) Immigration of Yemenite Jews c) Immigration of Ethiopian Jews d) Immigration of Soviet and Post-Soviet Jews e) Immigration from the B'nei Menashe community in India f) Immigration from North America

We can learn about the stories and emotions of these immigrants through pictures of their travels and arrival in Israel

Explanation:

Part One: Setting the Stage

Ask your campers about their own relationship to photographs:
- Do they like taking pictures?
- Do they find that photographs properly "tell" the story of what happened?
- Have they had the experience of someone seeing one of their pictures and seeing things in the photograph that they as the photographer hadn't seen?

Part Two: Honorable Discharge

Split campers in small groups of 10-12. Show them the photograph Honorable Discharge.
Ask the campers to take a few minutes to write down 10 observations about the photograph: 5 objective observations and 5 subjective observations.
Explain that an objective observation is something that doesn’t change from person to person –- it is something you can all agree on. For example, there are two men in the photograph, the photograph is in black and white, etc.
Explain that a subjective observation is an opinion, a feeling, or an interpretation based on what you see. Such as, “it reminds me of the time I did x”, or, “I think that man might feel sad,” or “I think he looks poor.”
Ask for the campers to share their observations -- be sure to point out when someone makes a subjective observation instead of an objective one.
Next, have the campers share their subjective observations. Ask the campers: What do you think the photographer was trying to capture with this photograph? Why? What do you think this picture is actually of – what historic event is it actually documenting?
Explain that the photograph was taken by an Israeli photographer named Zion Ozeri and share with the campers the title and story of the photograph:

Honorable Discharge, Ben-Gurion Airport, Israel, 1992

Look at the expression on this man's face. How would you describe it -- fear, sadness, confusion, joy? He has just arrived in Israel from the former Soviet Union. Under communism, Soviet Jews were not allowed to practice their religion openly and were often denied the right to immigrate to the U.S. or Israel. But after Gorbachev (the Soviet president) opened the doors to emigration in 1989, hundreds of thousands of Jews from the former Soviet Union flocked to Israel, with the help of Jews around the world.

These immigrants often arrived with very little and faced many challenges in their new homes. But the man in this picture had brought something very precious with him: the military medals he wears with pride. They serve as a reminder of his previous life, of the risks he took fighting for his country. They might not mean much in his new life in Israel, but these medals clearly have a very personal significance to him.

The photographer, Zion Ozeri, explains: "I call it honorable discharge. He was obviously discharged from the Russian army. And many Jews, by the way, either sacrificed their lives or fought heroically during World War II... I always look for the image that would define the moment. I sort of saw it in his face... You see the flag, you see EL-AL, and that look."

Ask the campers:
- Have you ever heard of the phrase, “A picture’s worth a thousand words?” When someone uses that phrase, what do you think they mean?
- Do you see how Zion Ozeri constructed this photograph to tell a powerful story?
Note: The idea that we are trying to reveal is that photographs or other primary sources are less important as objective fact pieces, and more important as vehicles for stories and connection. Every photograph is created with a certain degree of intention: the photographer picked the angles, set-up, subjects, and finally, to release the photograph. As a viewer, we see the photographs through the lens of our own experiences with the elements in the photograph.

Part Three: Photographs from Around the World, in Israel

Pin or post the photographs provided and divide the campers in small groups of 2-3 people. (With younger kids, you may want to do this in a slightly larger group with a staff person).
Have the groups go around and all look at the photographs, deciding together which one they want to choose. Once they make their choice, have them sit for a while with their picture and talk about the subjective/ objective elements. What do they see in the photograph? What attracted them to it? When do they think it took place? Who do they think is in the photograph?
Pass out the explanation sheets for each photograph and have each group read it together and discuss it. What do they now see in the picture?
Bring the group back together with a staff person/educator. Have each group present their photograph, explaining what they learned both from the information sheet and from their observations. The staff person should also present a photograph if there's one that hasn't been talked about.
As a group, discuss:
- Have you ever moved from one home to another? Did you need to leave your community?
- Do you have family stories about people needing to move?
- Almost all people who moved to Israel had to learn a new language and get used to a new culture, even a new way of dressing. What do you think that was like? What would you think was the hardest part?
- Do you imagine it would be harder to do it as a young person, an adult, or an old person?

Variations:

Variations in Format:

If your campers have already done the subjective/objective exercise, you can try another introduction to the photographs, or just refer to that program before starting with the new pictures.
If you are doing this activity through a photography class at camp, there are many follow-up activities that you can create, including having campers:
- Take self portraits
- Take pictures of Israeli symbols or elements of camp and bring them back to discuss
If you have a camp newspaper, you can also ask campers to find people at camp who've had to move from one place to another, especially one country to another. This could even include Israelis who had to "move" to the United States for camp -- what challenges did they face? What do they think about people who made the big move to settle in a new country?

Supporting Images:

Supporting Materials:

Israel-Lens-Many-Faces.pdf

Curricular Subjects:

Attribution:

Zion Ozeri

Israel Lens: Current Events in Israel

Natalie Blitt — Wed, 14 Mar 2012 20:14:32 +0000

The Israel Lens is a unique method of looking at photographs as entry points into understanding Israeli history and collection. This session primarily uses photographs of current events in Israeli politics.

Curriculum Themes:

Materials Required:

Program Duration:

1 hour

Physical Space:

Number of Campers:

Age of Campers:

Core Learnings:

On August 15, 2005, tens of thousands of unarmed soldiers dismantled settlements in the Gaza Strip.

Israeli soldier, Gilad Shalit, was captured by Hamas militants in 2006. Five years later, on October 18, 2011, Israelis celebrated his safe arrival home.

Woodley Elysee is a young Haitian boy who was born with multiple fatal heart defects. He was brought to Israel by the aid mission and Israeli humanitarian organization Save A Child's Heart for life-saving open heart surgery.

Explanation:

Step 1: Introducing the Technique

Start by engaging your campers in the topic of the importance of photography in their lives. You can ask them questions like:
- Do they like taking pictures?
- Do they find that photographs properly "tell" the story of what happened?
- Have they had the experience of someone seeing one of their pictures and seeing things in the photograph that they as the photographer hadn't seen?

Step 2: Honorable Discharge

Split campers in small groups of 10-12. Show them the photograph Honorable Discharge.
Ask the campers to take a few minutes to write down 10 observations about the photograph: 5 objective observations and 5 subjective observations.
Explain that an objective observation is something that doesn't change from person to person – it is something you can all agree on. For example, there are two men in the photograph, the photograph is in black and white, etc.
Explain that a subjective observation is an opinion, a feeling, or an interpretation based on what you see. Such as, “it reminds me of the time I did x”, or, “I think that man might feel sad,” or “I think he looks poor.”
Ask for the campers to share their observations -- be sure to point out when someone makes a subjective observation instead of an objective one.
Next, have the campers share their subjective observations. Ask the campers:
- What do you think the photographer was trying to capture with this photograph? Why?
- What do you think this picture is actually of – what historic event is it actually documenting?
Explain that the photograph was taken by an Israeli photographer named Zion Ozeri and share with the campers the title and story of the photograph:

Honorable Discharge, Ben-Gurion Airport, Israel, 1992

Look at the expression on this man's face. How would you describe it -- fear, sadness, confusion, joy? He has just arrived in Israel from the former Soviet Union. Under communism, Soviet Jews were not allowed to practice their religion openly and were often denied the right to immigrate to the U.S. or Israel. But after Gorbachev (the Soviet president) opened the doors to emigration in 1989, hundreds of thousands of Jews from the former Soviet Union flocked to Israel, with the help of Jews around the world.

These immigrants often arrived with very little and faced many challenges in their new homes. But the man in this picture had brought something very precious with him: the military medals he wears with pride. They serve as a reminder of his previous life, of the risks he took fighting for his country. They might not mean much in his new life in Israel, but these medals clearly have a very personal significance to him.

The photographer, Zion Ozeri, explains: "I call it honorable discharge. He was obviously discharged from the Russian army. And many Jews, by the way, either sacrificed their lives or fought heroically during World War II... I always look for the image that would define the moment. I sort of saw it in his face... You see the flag, you see EL-AL, and that look."

Ask the campers:
- Have you ever heard of the phrase, “A picture’s worth a thousand words?” When someone uses that phrase, what do you think they mean?
- Do you see how Zion Ozeri constructed this photograph to tell a powerful story?
Note: The idea that we are trying to reveal is that photographs or other primary sources are less important as objective fact pieces, and more important as vehicles for stories and connection. Every photograph is created with a certain degree of intention: the photographer picked the angles, set-up, subjects, and finally, to release the photograph. As a viewer, we see the photographs through the lens of our own experiences with the elements in the photograph.

Step 3: Photographs from Moments in Recent History

Split the campers into small groups and ask them to choose from one of the pictures that we provided (printed on cardstock). All of the photos are depicting events from within the last twenty years.
Once the groups have selected their cardstock photo, hand them a packet that includes all the photos with contextual information about each. Groups should also take an envelope consisting of different possible captions for the photo.
Instruct the groups to spend 5-10 minutes looking at the cardstock photo, reading the contextual information about it, and picking a caption to go with the photo.
Come back together and share.
During the sharing, have each group describe why they chose their picture, what they saw in the photograph and why the chose the caption they chose.

Step 4: Wrap-Up

Explain to the campers: photographs or other primary sources are less important as objective fact pieces, and more important as vehicles for stories and connection.
Reinforce the idea that in storytelling, especially Israel storytelling, there is no such thing as objectivity; and, in fact, there is power in embracing and owning your own personal, subjective story.
Every photograph is created with a certain degree of intention: the photographer picked the angles, set-up, subjects, and finally, to release the photograph.
As a viewer, we see the photographs through the lens of our own experiences with the elements in the photograph.

Variations:

Variations in Content:

The entire second part of this activity (after looking at the Honorable Discharge photograph) can also be done with other collections of photographs. Ask your Israelis on staff, or Americans, if they have photographs that particularly speak to them about events in recent Israeli history. Keep in mind the type of story that the photograph is telling and make sure it is appropriate!
You can also do this activity with photographs from other periods in Israeli history.

Variations in Format:

If your campers are really into storytelling, let them construct stories for the people in the photographs, imagine lives for them out of the flat black-and-white images. When they imagine these stories, they are engaging more fully in the photograph and analyzing it more closely. They are also putting themselves into the story of Israeli history: how would they have felt in that moment, in that time?
If your campers have already done the subjective/objective exercise, you can try another introduction to the photographs, or just refer to that program before starting with the new pictures.
If you are doing this activity through a photography class at camp, there are many follow-up activities that you can create, including having campers:
- Take self portraits
- Take pictures of Israeli symbols or elements of camp and bring them back to discuss

The Goodman Initiative - Camera (optional)

Israel Lens: The Many Faces of Israel

Curriculum Themes:

Materials Required:

Program Duration:

Physical Space:

Number of Campers:

Age of Campers:

Core Learnings:

Explanation:

Variations:

Supporting Images:

Supporting Materials:

Curricular Subjects:

Attribution:

Israel Lens: Current Events in Israel

Curriculum Themes:

Materials Required:

Program Duration:

Physical Space:

Number of Campers:

Age of Campers:

Core Learnings:

Explanation:

Variations:

Background Cards:

Supporting Images:

Supporting Materials:

Curricular Subjects:

Attribution: