The Goodman Initiative - costumes

Stories in Motion: Israeli Culture Bridging Political Gaps

Dalia Davis — Sun, 02 Dec 2012 19:52:10 +0000

Stories in Motion engages participants with pieces of Israel’s history through creative movement and physical expression. As participants bring to life the story of an Israeli dance company that faces and overcomes a difficult political situation, the cultural exchange finds resonance in the hearts and minds of the participants.

Curriculum Themes:

A People’s Hope

Materials Required:

Program Duration:

90 minutes

Physical Space:

Number of Campers:

Age of Campers:

Core Learnings:

Roughly half of Jews in Israel are of Middle Eastern descent

Cultural exchanges can bridge political gaps in a way that discussion cannot

Israeli artists sometimes find themselves in dangerous situation when they tour because of people's negative opinions about Israel

Explanation:

1. Background information: The following background information will help the participants understand the story that this program is based upon. Facilitator introduces these three pieces of information to the group.

A. The Oslo Accords:
The Oslo Accords were bilateral agreements signed in Washington following negotiations, part of which was clandestine, between Israel and the PLO. The main concern was on the Israeli withdrawal from the territories of Judea, Samaria, and the Gaza Strip, in order to allow the establishment of a Palestinian Authority for self-government for an interim period until permanent arrangements would be established. On September 13, 1993, the problems regarding the mutual recognition were resolved, allowing Rabin and Arafat to sign the Declaration of Principles at the White House in Washington.
(www.Knesset.gov.il)

B. Margalit Oved
Margalit Oved—dancer, choreographer, singer, actress, musician—an émigré from Yemen (in the early 1950s), began her career in her teens as one of the original members of Sarah Levi-Tanai’s ethnic Inbal Dance Company in Tel Aviv, Israel. Her creative roots go further back, however, to her native Aden, where as a child she danced barefoot and carefree. Her story, told through her dances, is that of a Jewish Yemenite turned Israeli and then American. Despite her several transformations, she did not abandon her earliest influences. At the same time, she has internalized her experiences in the United States, including the raising of an American-born family, and used them to inform her more recent work.
(www.jwa.org)

C. Barak Marshall
Born and raised in Los Angeles, Barak is the son of acclaimed dancer, choreographer, and musician Margalit Oved. Since his accidental entrance into dance in 1995, Barak established himself as one of Israel’s most innovative voices.
(www.BarakMarshall.com)

Tell the group that they will now have the opportunity to learn more about a cultural exchange that overcame a situation of political strife.

2. Studying the Text:

Partner Study/Chavruta:
Divide participants into pairs and have them read the text “Barak Marshall: Dance Bridging Cultures.” Each pair receives three different colored highlighters and uses different markers to highlight characters, actions, and emotions respectively.

Group Discussion: Participants analyze and reflect upon the story as a group.

Guiding Questions:
*In addition to fear, what do you think the Israeli dancers were feeling in the moments before they performed?
*Do you think Marshall and his dancers anticipated receiving the reaction that they did from the crowd?
*Why do you think the crowd reacted as they did to the performance?
*What do you think about the dancer’s decision to perform despite the animosity they were receiving from the crowd? Do you think such cultural exchanges are worth placing one’s life in danger?

3. Dancing the Text

Role Assignment: Facilitator leads the group in creating a list of the characters in the story, along with their actions and emotions (a sample list is provided in the supporting documents). Characters can be human as well as inanimate objects. Participants choose characters from the story such that each participant has at least one role. They are asked to begin creating movements that express their character’s actions and emotions.

Costuming: Participants create costumes for themselves from white bed sheets or other material scraps. Facilitator provides markers, scissors, and safety pins along with the material.

Dance Creation: After creating movements for their particular role and getting into costume, participants dance their movements as a group while the facilitator reads the text. This is repeated two or three times in order to help the movements coalesce into a cohesive dance. Then the narration ceases and the dance is put to music with the story being told without words.

Dance Performance: Have the participants dance their piece one final time, but this time instead of setting it to music, play the attached youtube video as they are dancing (http://www.youtube.com/watch?v=Waw66l_Igzg). This video is one of Barak Marshall’s choreographic works.
They may need to repeat the dance a few times in order to fill the time of the entire video (their movements do not need to match up with what is happening in the video, but they may do so if they like).

Variations:

Younger Participants: It may be easier for participants to study the text and highlight the characters, actions, and emotions as a group rather than in partner study.

Older Participants: If the group is a bit older, the facilitator might want to include in the processing portion of the session, a discussion about culture as a means for bridging gaps.

Some possible questions to encourage discussion:

• Do you think there are any instances in which a particular cultural piece should not be included in a given performance or exhibition venue? Why or why not?

• There are an increasing number of places that will not allow Israeli performers or artists to participate in festivals and other such cultural exchanges. What do you think are the effects of such decisions?

• What do you think might have happened if before the performance the dancers had responded to the insults they received in Arabic by speaking openly in Arabic? Do you think the story would have ended differently? Why or why not?

• Do you think culture is the best mechanism by which political gaps can be bridged? Why or why not?

Additional Time/Sessions: This session can be a part of a lesson or a curriculum on the Jews of Middle Eastern descent, or the plight of Yemenite Jews. Part of the impact of the story is that Marshall’s mother is a Yemenite Jew, and many of his dancers were of Middle-Eastern descent, yet the audience was unaware that there was such a thing as a Jew of Arabic descent. The facilitator may choose to show the film “The Forgotten Refugees” or to address the history of this population in another way.

Larger groups: In order to accommodate larger groups, multiple people can dance each role and choreograph their movements together.

Background Cards:

Supporting Materials:

Barak Marshall Text.pdf

Israeli Culture Character Chart.pdf

Attribution:

Dalia Davis

Stories in Motion: Returning to the Western Wall

Dalia Davis — Sun, 02 Dec 2012 00:40:18 +0000

Stories in Motion engages participants with epic pieces of Israel’s history through creative movement and physical expression. As participants bring to life the story of the return to the Western Wall through movement, the eye-witness testimonies leave the page and find resonance in the hearts and minds of the participants.

Curriculum Themes:

Materials Required:

Program Duration:

90 minutes

Physical Space:

Number of Campers:

Age of Campers:

Core Learnings:

In 1967, Israeli soldiers were the first Jews who succeeded in reaching the Western Wall in decades

The renewed access to the Western Wall for Jews was of huge religious and political significance

Many Jews, including the president of Israel, greatly value the ability to access the Western Wall

Explanation:

1. Background information about the Western Wall

Share the following information with the group:

When Rome destroyed the Second Temple in 70 C.E., only one outer wall remained standing. The Romans probably would have destroyed that wall as well, but it must have seemed too insignificant to them; it was not even part of the Temple itself, just an outer wall surrounding the Temple Mount. For the Jews, however, this remnant of what was the most sacred building in the Jewish world quickly became the holiest spot in Jewish life. Throughout the centuries, Jews from throughout the world made the difficult pilgrimage to Jerusalem, and immediately headed for the Kotel ha-Ma'aravi (the Western Wall) to thank God. The prayers offered at the Kotel were so heartfelt that gentiles began calling the site the “Wailing Wall.” This name never won a wide following among traditional Jews; the term “Wailing Wall” is not used in Hebrew.

The Western Wall was subjected to far worse than semantic indignities. During the more than one thousand years Jerusalem was under Muslim rule, the Arabs often used the Wall as a garbage dump, so as to humiliate the Jews who visited it.

For nineteen years, from 1948 to 1967, the Kotel was under Jordanian rule. Although the Jordanians had signed an armistice agreement in 1949 guaranteeing Jews the right to visit the Wall, not one Israeli Jew was ever permitted to do so.

(www.JewishVirtualLibrary.org)

Tell the group that they will now have the opportunity to learn more about the operation that restored Jewish access to the Western Wall.

2. Studying the Text:

Partner Study/Chavruta:
Divide participants into pairs and have them read the text “Reclaiming the Western Wall (1967).” Each pair receives three different colored highlighters and uses different markers to highlight characters, actions, and emotions respectively.

Group Discussion: Participants analyze and reflect upon the story as a group.

Guiding Questions:
*What do you think it was like for the soldiers who participated in this mission?
*What do you think it was like for Israelis at that time to hear the news?
*What do you think of the decision of the president and the commanders to risk their lives to reach the Western Wall? Do you think a religious site is something worth risking one’s life for?

3. Dancing the Text

Role Assignment: Facilitator leads the group in creating a list of the characters in the story, along with their actions and emotions (a sample list is provided in the supporting documents). Characters can be human as well as inanimate objects. Participants choose characters from the story such that each participant has at least one role. They are asked to begin creating movements that express their character’s actions and emotions.

Costuming: Participants create costumes for themselves from white bed sheets or other material scraps. Facilitator provides markers, scissors, and safety pins along with the material.

Dance Performance: Have the participants dance their piece one final time, but this time instead of setting it to music, play the attached youtube video as they are dancing: http://www.youtube.com/watch?v=l17p0fTNvf0.
They may need to repeat the dance a few times in order to fill the time of the entire video (their movements do not need to match up with what is happening in the video, but they may do so if they like).
[The video is in Hebrew, but one does not need to understand the words to discern what is happening.]

Variations:

Larger groups: In order to accommodate larger groups, multiple people can dance each role and choreograph their movements together.

Younger Participants: Facilitator may want to allow participants an opportunity to share an experience they had visiting the Western Wall. Facilitator should also be prepared to share, if s/he has been there.

Older participants: With a group of older participants, facilitator may want to discuss the decisions that came to pass after the return to the Western Wall.

Some questions for discussion:

• Who should decide how the Western Wall should function today?

• Should the Western Wall be structured such that there is a separation between men and women? Why or why not?

• Should decisions about how the Western Wall is run be based on the goal of including as many people as possible? If not, what should be the most important goal?

• What vision of the Western Wall in the future do you think the soldiers had in the moment when they saw it for the first time?

Background Cards:

Supporting Materials:

Reclaiming the Western Wall (1967).pdf

Returning to the Western Wall Character Chart.pdf

Attribution:

Dalia Davis

Stories in Motion: Operation Moses

Dalia Davis — Thu, 29 Nov 2012 01:36:11 +0000

Stories in Motion engages participants with epic pieces of Israel’s history through creative movement and physical expression. As participants bring to life the story of Operation Moses through movement, the story of the Ethiopian Jewish journey leaves the page and finds resonance in the hearts and minds of the participants.

Curriculum Themes:

Creation & Rebirth

Materials Required:

Program Duration:

90 minutes

Physical Space:

Number of Campers:

Age of Campers:

Core Learnings:

Ethiopian Jews endured difficulty and danger during Operation Moses to get to Israel

Israel's Mossad (Intelligence and special operations) agents endangered their lives in order to save the Ethiopian Jews during Operation Moses

Israel plays a large role in rescuing and absorbing Jewish communities in crisis

Explanation:

1. Background information about Operation Moses

Share the following information with the group:

In the 1980s the situation for Ethiopian Jews was extremely difficult. They endured terrible famines, the rapid spread of disease and increased pressure to stop practicing their religion under the dictatorial, communist regime of Colonel Marian Mengistu. To save them, Israel executed rescue missions, the first of which was called Operation Moses. Operation Moses began on November 18, 1984, and ended six weeks later on January 5, 1985. In that time, just over 7,000 Ethiopian Jews were rescued and brought to Israel.

Tell the group that they will now have the opportunity to learn more about operation Moses through the reflections of the Mossad agents who carried out the mission.

2. Studying the Text:

Partner Study/Chevruta:
Divide participants into pairs and have them read the text “Operation Moses: Personal Reflections of Mossad Agents.” Each pair receives three different colored highlighters and uses different markers to highlight characters, actions, and emotions respectively.

Group Discussion: Participants analyze and reflect upon the story as a group.

Guiding Questions:
*How would you describe Operation Moses from the perspective of the Ethiopian Jews?
*How would you describe Operation Moses from the perspective of the Mossad agents?
*Why do you think Israel sent the Mossad agents on this mission? Do you agree with Israel’s decision to do so—why or why not?

3. Dancing the Text
Role Assignment: Facilitator leads the group in creating a list of the characters in the story, along with their actions and emotions (a sample list is provided in the supporting documents). Characters can be human as well as inanimate objects. Participants choose characters from the story such that each participant has at least one role. They are asked to begin creating movements that express their character’s actions and emotions.

Costuming: Participants create costumes for themselves from white bed sheets or other material scraps. Facilitator provides markers, scissors, and safety pins along with the material.

Variations:

Larger groups: In order to accommodate larger groups, multiple people can dance each role and choreograph their movements together.

Older groups: The closing discussion can include questions about Israel’s role as a Jewish state, such as:

*Do you think that all Jews should automatically be welcome citizens of the State of Israel?
*Do you think that Israel should actively search for remote Jewish communities and bring them to Israel?
*Do you think Israel should risk the lives of its soldiers to help bring other Jews to Israel?

Music Options: Here are examples of Idan Raichel songs to use during the activity, but most of his other songs would work as well (preferably ones with Amharic):

1) Tigest
2) Shoshanim Atzuvot
3) Brong Faya
4) Mi'ma'amakim
5) Bo'i
6) Ayale
7) Brachot Leshana Chadasha

Background Cards:

Supporting Materials:

Operation Moses text.pdf

Operation Moses Character Chart.pdf

Attribution:

Dalia Davis

If Today Is Monday, We Must Be In...

Natalie Blitt — Fri, 27 Apr 2012 16:16:43 +0000

"If Today is Monday, We Must Be in..." allows campers to learn about specific places in Israel by "visiting" a different place one day each week.

Curriculum Themes:

A Land & Its People

Materials Required:

Program Duration:

15 Minutes

Number of Campers:

Large Group (75+ campers)

Age of Campers:

Core Learnings:

Israel is a small but very diverse country, as seen by the differences between each of the cities and locations campers will "visit"

Note: Depending on the location of the week, the core learnings may differ and address one or more of the essential questions below

Explanation:

"If Today is Monday, We Must Be In..." is not a stand alone program, rather it is a way to turn one day a week into Israeli geography day.
Geographic highlights of Israel may include:

Cities:

Jerusalem
Tel Aviv
Haifa
Eliat
Be'er Sheva
Sderot
Degania

Sites:

The Negev
The Dead Sea
The Golan Heights

Choose one day a week that will be the Israeli Geography Day. On that day, include the following elements:

A one page sheet that includes a picture of the city and fun facts can be posted around camp, in the bunks, etc.
Two to three counselors will respresent the Israeli place. They will have costumes that identify them as the place (i.e. a special hat or sign). The counselors will have a few stories they can tell and a bunch of quiz questions. Campers can approach these counselors during the day to ask them about their city or ask them for quiz questions. If the campers successfully answer the quiz questions, they get special "shekel" tokens.
Schlichim or counselors who have visited the locations can add their own personalized fun facts -- either during announcements, at meals, or at other moments.
At the end of the day, the camper who has the most shekel tokens wins a prize!

Background Cards:

Supporting Materials:

Curricular Subjects:

Guess Who Is Coming to Camp?

Natalie Blitt — Fri, 27 Apr 2012 15:48:37 +0000

"Guess Who is Coming to Camp" allows campers to learn about specific Israeli figures by having them "visit" camp one day each week. Counselors can choose between political and historical leaders, artists, sports stars, and other important figures.

Curriculum Themes:

Materials Required:

Program Duration:

15 Minutes

Number of Campers:

Large Group (75+ campers)

Age of Campers:

Core Learnings:

Many people throughout Israel's history contributed to making it a home for the Jewish people today

Each of these Israeli figures played a very different role in Israel's history that continues to impact the country today

Explanation:

Guess Who is Coming to Camp is not a stand alone program, rather it is a way to turn one day a week into Israeli personality day at camp. Israeli visitors can include:

Historical figures:

Theodor Herzl
Ze'ev Jabotinsky
Josef Trumpledor

Political/Military figures:

David Ben Gurion
Moshe Dayan
Golda Meir
Yoni Netanyahu
Yitzhak Rabin
Gilad Shalit

Artists:

Naomi Shemer

Sports Stars:

Omri Casspi
Tal Brody

You should choose one day a week that will always be the visiting Israeli Day. On that day, include the following elements into the day:

A one page sheet that includes a picture of the person and fun facts can be posted around camp, in the bunks, etc.
Several counselors around camp will play the role of the famous Israeli.
Counselors should get really into the character and wear costumes (i.e. an eye-patch for Moshe Dayan or a large beard for Herzl).
Counselors will have a few stories they can tell and a bunch of quiz questions. Campers can approach these counselors during the day to ask them about their life or ask them for quiz questions. If the campers successfully answer the quiz questions, they get special "shekel" tokens.
At the end of the day, the camper who has the most shekel tokens wins a prize!

Background Cards:

Supporting Materials:

Curricular Subjects:

Decision Time: The Homeland Carnival

Natalie Blitt — Thu, 26 Apr 2012 15:59:16 +0000

This activity is the re-enactment of the quest for votes that effectively created the State of Israel. Campers will have to do Israel-related activities and challenges in order to collect the necessary "votes" such that the United Nations votes in favor of the Partition Plan.

Curriculum Themes:

Materials Required:

Program Duration:

90 minutes

Physical Space:

Outdoor Space

Number of Campers:

A Division/Age Group (30 – 50 campers)

Age of Campers:

Core Learnings:

The state of Israel was created after World War II ended when thousands of Jewish refugees lived in Europe

Jewish representatives had to secure votes from the UN to get the resolution for the establishment of the Jewish state passed

The Partition Plan, as proposed at the UN, divided the land into two states, one for the Jews and one for the Arabs

The real celebration of the founding of the state took place on Nov. 29, 1947 -- the moment when the international community accepted the idea of a Jewish state in Palestine

Explanation:

Divide the group into teams of about 5 campers. Each group receives a unique bingo card with 9 squares. Each square should have a picture or symbol that refers to the modern state of Israel. The nine symbols will match the symbols that identify the different stations.
Explain to the campers that they will probably not be able to fill all of the squares on their own card, but it's important that several of them are filled (don't tell them how many) on a certain number of different teams' cards (don't tell them how many). Therefore, it's important that teams help other teams find the different stations (which can be "hidden" or off the beaten track) and help them with the activities.
Counselors should run each of the 9 different stations and get into character according to the station theme and task. At each station, they should have a large picture that is on the bingo card. When a group arrives at the station, they need to perform a task in order to get their sticker on their card. Remember, the more "carnival-like" each station is, the more fun the campers will have!

Stations:

Quiz show: Counselor will say: If you want your own state, you should know something about it.
- Group must answer 5 questions about Israel correctly. Can't get stamp until they answer at least 5.
Army: Counselor will say: If you are going to have a state, you will have to defend yourself.
- Group must do 15 sit ups or push ups.
Culture: Counselor will say: If you are going to have a state, what will make it artistic?
- Group must sing a song in Hebrew.
Hebrew: Counselor will say: You have a language you want to use for this country. Do you know it?
- Group must recite the Alef Bet or name 3 words they know in Modern Hebrew (not prayers)
State: Counselor will say: Countries need symbols. What will yours be?
- Group will need to draw a flag.
National Anthem: Counselor will say: What will be the song that symbolizes your country?
- Campers must at least be able to name Hatikva and either sing it or at least hum it.
Land: Counselor will say: What will this country eventually look like?
- Campers must lay out their bodies in the shape of the map of Israel.
Dance: Counselor will say: I've seen Israeli dancing, can you do it?
- Campers must get into a hora and dance around.
Passion: Counselor will say: Why does this matter to you?
- Campers will have to explain why it's personally important to them for the state of Israel to exist.

Allow enough time for groups to go from station to station but not fill out their card entirely. Groups should be encouraged to help one another through the activities -- by telling them where the stations are if they are hidden, or passing on information. When time is up, there should be a question in everyone's mind of whether enough squares were filled out.
Once everyone gathers back together, groups should pass their cards to a staff table where the cards are tabulated. This should be going on where campers can see it -- have the staff make a production out of examining the cards and counting them up on a score sheet.
As this this happening, the educators should talk to the campers about the activity. Tell them that in some ways, this activity was like what the representatives of Jewish Palestine and the Jews who helped them had to do in order to get the votes necessary to get the UN resolution passed.
Screen the Toldot video: http://www.youtube.com/watch?v=QrIjzUK0FKg

Background Cards:

Supporting Materials:

Israel Quiz Questions.pdf